//Cantar en la Blockchain. Para pensar con satoshis, [Singing in the Bitcoin blockchain] is a conceptual and performative art project that reflects on the care of cultural memory.
//Through the minting of fragments of lullabies within economic transactions on the Bitcoin blockchain, the project aims to rescue local stories, memories, languages and almost forgotten songs as an act of resilience within a feminist angle.
//Remembering the power that a public blockchain ecosystem provides to people like decentralization, traceability, transparency and immutability as a network resistant to censorship. This project aims to preserve the traces of cultural diversity transmitted between generations through motherhood.
//The use of this methodology (minting encrypted messages within irreversible transactions) seeks to rescue from oblivion one of the first symbolic and activist art practices that began in the Bitcoin blockchain before its capitalisation. Applying this practice is also to remember the anarchist political principles that gave way to the emergence of this technology since the 1990s. It is also a political β feminist action that pursues the preservation of cultural heritage diversity. Blockchain is a medium for preserving digital memory, leaving tracks that can not be erased after been deployed on it.
//The performance
// It consists of performing a lullaby between two wallets through the action of sending economic transactions between them while storing a coding message (fragments of the lullaby) in satoshis (the smallest unit of Bitcoin currency). This practice rescues the command script(OP_RETURN β¦), one of the first artistic performative practices within the crypto art.
//Each page represents a track of the action performed. It is done mostly in solitude. Although, it invites other peers to contribute with their experiences.
//TEAM
//,.-*~ πΰΉβ’Επ ~*- multimedia artist interested in memory, cybernetics, activism and divination.